Issue 7 is themed "The Future of Sport," running 152 pages across emerging developments in the industry and the theories that underpin them. Pilot editor-in-chief Dagny Tepper unpacks her skepticism of biohacking and the paradox of self-optimizing technology; designer Gabriel Fontana examines representation in physical education through his inclusive program Multiform; and Kim Boram, artistic director of Ambiguous Dance Company, reflects on the instinctual nature of dance. Compact in format, soft-touch bound, with a cover story shot in LA.
Good Sport was founded in Melbourne in 2014 with a focus on the interplay of people, community, and culture in sport. Issue 7 returns to shelves in a smaller, pared-back format, built around the idea that sport is the steady work of small pockets of people whose practice insists, daily, on care.
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